The project critically engages the curatorial proposal of Macro / Asilo (Museum of Contemporary Art of Rome) to create temporary artist's studios within the museum. 

The work, intended as a performative action, will not be carried out inside the atelier but instead in the area dedicated to the public. 

The space of the Atelier remains empty while the glass surface around it emerges by getting progressively filled. 

The glass theca, thought as it were a materialization of a digital screen in the physical space, becomes a magmatic surface where images, downloaded from the Internet and digitally manipulated, get accumulated. 

The action will be recorded and disseminated through some live streamings on Facebook, videos and photographs shared by the author and audience. 

The work returns to the digital space in the form of fragmented, ubiquitous, manipulated, accelerated images, a multitude of traces of a hybrid action.